All posts by Garrick Infanger

Colby Adams Sanford Paints in China

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Colby Adams Sanford recently returned from living and painting in China. As an artist he likes to work with acrylics, wood, and all types of reclaimed materials. He and his wife now live in Provo, Utah. Sanford says of his unique style, “Reclaiming materials and making them something beautiful – a metaphor of what Christ can do for us.”

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Where in the World is Colby Adams Sanford? I am so glad that you asked this question. As of this spring I am living in Provo, Utah… But I think that you might be referring to the fact that my wife Alicia and I love to travel. We were living in China for the past couple years, so that took us around Asia. On our way home, we took a marvelous trip through Europe. We are itching to go on another adventure. Anywhere! I think our next trip is going to be the East Coast to visit some dear friends and family, but Iceland is also at the top of the list. I think that it is important to see something new. The most honest and exciting way to do that is to get out and walk around. The further from the studio the better.

You like to work with reclaimed materials. Explain why and describe some of the items. Old piles of wood. The more beat-up and gnarly, the better. My favorite so far are the 20 year old boards from the ceramic factory in China where we lived. The boards carried the ceramic products from one station in the factory to another. They have layer after layer of splatters, sprays, strokes, and stains of paint and glaze. The visual information there is really intriguing to me. While in Europe, I was able to paint on an old leather glasses case near a park bench in Rome and an inch by inch tile that had washed up on a beach in Spain.

In my studio now I have a few rocks, some rafters, and more China boards that I shipped back to the states. Oh! And a piece of floorboard from the bedroom my dad grew up in. The house has long since fallen down but my Dad and I crawled in with a saw and swiped a slab. That is going to be one emotional painting experience.

There is a deeper meaning that has me searching for found materials all the time. I take the abandoned garbage, spend time with it, polish it up, and give it life and value. I get emotional thinking about the atonement and what it does for us in our various states of garbage and despair. Through the atonement we can be polished back up and find our innate worth.

Describe your travel art kit. I use 4 colors, three (ish) brushes, a straight edge palate knife, and a little spray bottle. Titanium White, Mars or Ivory Black, Raw Sienna and Burnt Sienna. Oh! And a small tube of gold. The travel set is always acrylics because its dries quickly and I love the texture. It is all bundled up in a small orange pouch that my wife gave me. She had it while we were dating and I always coveted it. Along with that, I usually have a couple of pieces of wood in my backpack.

On all of our travels, my paints are the first thing I pack. Painting on the airplane while my wife sleeps on my shoulder is probably one of my absolute favorite things to do. The airport security is usually pretty nervous about me taking the kit on the plane. I rarely make it through security without them opening my orange pouch, but usually there are no problems. On our last trip out of Hong Kong, they took away my palate knife. Really guys? I bought a new one in Florence.

Visit Colby Adams Sanford’s website.

Follow Colby Adams Sanford on Instagram.

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Alan Torres: Mechatronics Engineer / Photographer

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Alan Torres is a computer scientist and mechatronics engineer working on what he says is “an exciting new research topic related to extracting 3D information from transparent objects (stuff made of glass, cups, etc., which are very challenging by the way) using only still images (no fancy sensors required), focusing on augmented reality applications.” Torres is from central Mexico, studied in Bristol, England, and lives in San Francisco.

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Tell us how you joined the church. Joined as a teenager. One day I popped into my house and found the missionaries teaching my family at home. At first it was a very weird experience to have the missionaries at home and didn’t love the idea of being taught by them, but just out of curiosity started to listen, only motivated by the cultural learning I could get. Everything went too fast from there; my family decided to join the church before I was ready, and I joined with them just because I didn’t want to be left out. It wasn’t until six months later when I found my own testimony, drop by drop during institute classes and reading the Book of Mormon. I’m extremely happy that I did, what I’ve learned has shaped my life and pushed me to try my best. I’ve also found all of my best friends in there.

You take your camera with you when you travel. I try to keep my camera close to me most of the times. I always read the signs on the streets, graffiti, things laying around in the street. I like the urban anomalies but every once in a while I find a nice landscape I want to keep for me.

Visit Alan Torre’s Flickr.

Follow Alan Torres on Instagram.

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Amanda Valentine: Fashion Designer

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Amanda Valentine is an accomplished fashion designer proudly based in Nashville, Tennessee where she runs her firm Valentine Valentine. The only reality show I will watch with my wife is Project Runway. I’m willing to bet I’m not the target demographic for the show: white straight male sports fan. However, I find the contestants incredibly talented and the art sublime. One of our favorite contestants over the years has been two-time contestant Amanda Valentine. She comes from a talented family that includes a medical doctor and the guitarist from Maroon 5.

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Describe your creative process. I’m consistently influenced by music. I often get obsessed with a new music movement or a new tiny indie band or a scene… and I essentially want people to feel something they feel when they listen to a certain song. Music is amazing at smacking you on the forehead with nostalgia and hope for the future all at the same time. If I wasn’t a designer, I would be playing bass in a metal band. No question. And at this point I have a bit of a formula- combining something pop culture/graphic with something rich/antique. I love opposites, dissonance. One of my favorite collections was called “French Medieval Fly Girl.”

You come from the Royal Tenenbaums of Mormon families. Do you think all of the high-achievers in your family helped you or hurt you? Both? For years I felt like the black sheep or the underachiever. I rebelled young and loudly. I’m embarrassed to admit it, but well into my 20’s I resented the success of others. I thought if there were already doctors or rock stars or successful parents, what was left for me? Now in my mid-30’s I realize I was dramatically emo about it all and I’m fiercely proud of and protective of my family. No one understands us like each other. We are a unique club of workaholics.

You run your own business now. Ever imagine that one day you would be worrying about payroll? Oh it was the LAST thing on my mind when I was shredding fabric and painting hieroglyphics on maxi dresses! I still want to run and hide from it all, but it is a necessary evil. I want to be punk rock about it and not worry about money or organization but I also want to keep working for myself and employing amazing people. It is a constant, constant struggle. I’ve learned from mentors and continue to just find smarter people to give me advice. I’m now working on the balance of taking advice and trusting my gut–crucial in art AND business.

What sparks your creativity? Every city I visit, I first visit the museum. I love music, I love film, I love it all. I think it’s our job as artists to keep our eyes and ears open to everything so that we can have a catalogue of sorts to draw from when we go to work. I’m especially influenced by the “craft” arts of societies. West African beading, Guatemalan weaving, Turkish jewelry, and American quilting. Those “practical crafts” are the documentations of entire civilizations.

Visit Amanda Valentine’s website.

Follow Amanda Valentine on Instagram.

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Ben Howell: Book of Mormon, Transcription #1

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Ben Howell‘s Transcription #1 is a hanging scroll with Howell’s handwritten transcription of the Book of Mormon. It was also a performance piece at the Utah Museum of Contemporary Art’s exhibit Church vs State: Contemporary Collecting PraxisTranscription #1 covers the first half of the Book of Mormon. Howell is working on Transcription #2.

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Howell is a graduate of the Pratt Institute’s MFA and MLIS programs. His eclectic background includes work as an interactive fine artist, church organ fabricator, and library scientist. Howell wrote a ‘bit about my background’ for The Krakens:

“Born out of season, premature, during an April snowstorm at the tail end of the 70’s. My praxis longs for intensive focus, interactivity and endurance through the rediscovery, use and redirection of discarded practices. I seek the experience of the contemporary via the context and renewal of the derelict. My goal is to continue to explore the experience and relationship between artistic production in the home and the wild.

“I loved but neglected visual art until my first year in high school. I had an amazing teacher, Bill Larsen, who animated and elevated my appreciation of art history and creative production. I was hooked. From unnamed neolithic stone artist to de Kooning I felt among kin. I continued to take art history courses in conjunction with studio courses at the University of Utah. I began working at the Fine Arts Library in the J. Willard Marriott Library where I had the opportunity to interview many older artists about their work and their amazing collections. Through these relationships, I felt one step away from early twentieth century art/design luminaries such as Joseph Albers and Buckminster Fuller. I also began rethinking the incredible diversity of land art and other contemporary/commercial, governmental and artistic practices that I had always taken for granted, ‘just a part of Utah’. I made my first trip to Spiral Jetty and where I had never felt farther from home. It felt like I was in a chapter of Ray Bradbury’s ‘Martian Chronicles’.

“I had a huge array of studio courses in my Sculpture Degree at the U. I loved all of them, but especially woodworking and anything electronic and interactive. I was more interested in human scale and interactive pieces than anything static. I worked in fabric, knit, wood, and other natural materials. I loved the library, loved the form and history of all written technology, scroll, codex, etc. I took bookbinding courses, tried unsuccessfully to enter the world of conservation. I’d try again. I worked at a pipe organ building company in American Fork. I loved woodworking and building.

“During my graduate degree in sculpture I focused on art and spirituality, performance and interaction. For my thesis I created an open and looped system where I built an expanding set of costume elements, travelled to site oriented locations via bicycle and performed/documented ritual and return. I want to take artistic practice where it doesn’t belong. I did performance work at small family owned farms in rural Italy where my only audience was farmers who told me my practice was impractical. I worked for them 6 days a week in exchange for room and board and once carved an egg out of a fallen tree to help their chicken begin laying eggs.

“Currently I am applying for Reference and Instruction positions at universities around the country. I write for an hour to two hours per day, transcribing the Book of Mormon and I am working on an embroidery project to visualize the interaction between dead cattle, pioneer settlers and Ute peoples in San Pitch (Sanpete), Utah – Winter 1849.”

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Nick Stephens: The Same Yesterday, Today, and Forever

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Nick Stephens‘ project, The Same Yesterday, Today, and Forever, is a symbolical representation of temples and afterlife in Mormon theology. This mixed media on board was included in the Church’s 9th International Art Competition and Stephens explains some of symbolism in the video below–much of it went over my head when I saw the painting in person.

You do a lot of religious art, how do you pick the subjects for those pieces? Some are out of necessity, like a religious show that has a specific theme like the Church’s International Art Competition. Mostly, I work on subjects that I am interested in and that can fit my style. Especially if it is something that can be portrayed in a symbolic manner, then I am very interested in finding clever and inspired ways of interpreting that subject. I may do more illustrative work in the future, since there is only so much that can be done with symbols.

Visit Nick Stephens website.

Purchase the print for The Same Yesterday, Today, and Forever.

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